Friday, May 29, 2020

Syd Barrett and the Pink Floyd Sound - 1967

I've been distracted with other things in these crazy times we're in so I have been leaning on others in the community for ideas. This one came from a fellow member of an private alt-music history forum who simply asked me to do "something with Syd Barrett".

1967 saw the debut album by Syd Barrett. Supported by his backing band of Nick Mason, Richard Wright and Roger Waters, known as The Pink Floyd Sound, it contained 13 songs that could only have come from the mind of Syd.

This would be Syd's only album for three years though his backing band would push on releasing a three song EP recorded during the same sessions with Syd contributing guitar and a full LP the following year kicking off a career that would span several decades.

Syd's mental state would quickly deteriorate most likely due to his heavy consumption of psychedelics. The two parties split amicably in 1968 during the recording of the band's first full length album (now known simply as Pink Floyd). Syd did his best at helping his friends out appearing on several tracks but in the end they recruited an old classmate of Syd's, David Gilmour, to take over the guitar chores. That line up would last for most of that band's history.

Syd's relationship with his backing band was a strained affair to begin with. Even though they shared a flat and behaved as a single unit, it was always clear that Syd was the star and the others were support. When they split Syd was left without a band. It took the Floyd a few albums to find their own voice but when they finally broke through they became a mainstay of rock radio and the touring circuit for the remainder of their career.

Syd took a couple years off to rest and recover before returning to the studio releasing two albums in 1970 but the drugs again took their toll and Syd once more faded into the background preferring to hang out with fellow underground musicians Pretty Things drummer Twink, Deviants frontman Mick Farren and Steve Took from Tyrannosaurus Rex. His brief career left a lasting impression and influenced many younger artists.

Tracklist

Side One
01 Astronomy Domine
02 Lucifer Sam
03 Apples And Oranges
04 The Gnome
05 Flaming
06 Scarecrow
07 See Emily Play

Side Two
01 Scream Thy Last Scream
02 Chapter 24
03 Bike
04 Matilda Mother
05 Vegetable Man
06 Jugband Blues

Bonus Non-LP Single
Arnold Layne
Candy And A Currant Bun

Reality Notes

There are plenty of alternate Pink Floyd histories and discographies floating around the internet. Most follow the premise of Syd staying with the band for a few more albums. While I always find them a good read, the compilations never really satisfy me. I love Syd and went through a heavy obsession for a brief time but always saw Syd and Floyd as separate entities despite their entwined history together. This comp is my way of further defining that separation.

For this album I took the first Floyd album and removed the two band written instrumentals Pow R. Toc H. and Intersteller Overdrive and the Waters penned Take Up Thy Stethoscope and Walk and replaced them with outtakes and singles. The three songs I removed become the EP released by Floyd at around the same time as this album. Yea, this is still Pink Floyd but it is a much different Floyd than that which they would evolve into once Syd was out and Gilmour was in. The "Floyd as backing band" makes much more sense to me.

I used all mono sources and included the Arnold Layne single and B side as bonus tracks. There are a couple of songs here where Syd is not the lead singer or he is the co-lead singer (Matilda Mother, Scream Thy Last Scream). I kept those anyway because he wrote them. Let's just say he is using artistic expression by having someone else sing to achieve a different sound than what he would have done or think of it as giving his backing band a chance to shine a bit.

For the cover I took a black and white photo of Syd and added liquid projection art over the top and added the text. I kept the original title. Most debut albums are self titled but Syd must have been attached to that phrase to name the album that. The title comes from chapter seven of Kenneth Grahame's The Wind in the Willows.

Friday, May 1, 2020

Crosby, Stills, Nash & Young - 4 Way Street 1971

I've been using this down time to work on other projects around the house and in the studio so I haven't had much time to give to this blog. A while back AEC over at Albums Back from the Dead posted a CSNY album that imagined what a follow up to DeJa Vu might have sounded like using tracks from the solo albums released at the time. I chimed in with my take but had no plans of posting it here but with the lack of projects in my vault and to keep you guys busy while in quarantine and because it turned out so nice, I thought, why not?

After the release of Deja Vu in 1970 Crosby, Stills Nash and Young went on tour. Some of the shows were recorded and in April, 1971 they released a live album titled 4 Way Street. After the tour the band fell apart and all members commenced recording solo records. Those albums were released between September 1970 and May 1971.

In spite of the supposed bad blood that broke the band apart there was still some interplay between the members. Stephen provided some vocals on Neil's album. Neil played on David's and Graham's and Crosby-Nash laid down backing vocals on Stephen's and each others albums. So what if they came together and recorded another CSNY album proper? Enjoy.

Tracklist

Side 1
01 Love the One You're With
02 Better Days
03 Laughing
04 After The Goldrush
05 We Are Not Helpless

Side 2

01 Music is Love
02 Do for the Others
03 Military Madness
04 Southern Man

Side 3
01 Chicago (We Can Change The World)
02 Sit Yourself Down
03 Don't Let It Bring You Down
04 Traction in the Rain
05 Simple Man
06 Orleans

Side 4
01 Only Love Can Break Your Heart
02 Church (Part of Someone)
03 I Used to Be a King
04 Cowboy Movie

Running time: 79:44

Reality Notes

In the comments of AEC's post, myself and The_Reconstructor chimed in with our opinions. I took clues from each of them and ran with it. I loosened my criteria a bit and used the previous album for precedence. With a few exceptions, that album was largely recorded separately, coming together mostly to do harmonies.

While songs that included two or more members were given priority, some of David's tracks were cut due to not actually having lyrics. Lots of vocals but the voices were used as instruments rather than tell a story. We still have an example of that style here in the track Orleans but at least he's singing words even if they are in another language. I used the tracklist from the live album for more clues, any song on there that had not appeared on a previous album was in the running. I also chose to allow solo acoustic numbers. Stephen setting the precedent with 4+20 on Deja Vu.

I ended up with 19 songs that fit on a single CD. On vinyl that would make a double album. I sequenced the tracks to split nicely onto four sides but also flow between them. Everyone gets at least one song per side and never two in a row.

I used the tracks as they are with the exception of three. Two Neil songs come from the 4 Way Street live album. I removed the audience before and after each of those as well as Neil's rap before Don't Let It Bring You Down. The live version of Southern Man was an obvious choice over the studio version. Not only is it the only track here to feature all four members, it's a full eight minutes longer with some great guitar interplay between Stephen and Neil making it a perfect side closer.

The last edit I made was to join Graham's Chicago with the reprise We Can Change The World to create a single track. I did this by ducking the opening chatter of the reprise under the last chords of Chicago to form a natural transition between them. Turned out nice.

The results fit in nicely within the overall discography and replaces the live album. Each member was prolific enough that the solo albums could still happen. Though arguably we took the cream of the crop from each. Originally I had sides one and two flipped. I thought that it would be clever to have each member open a side in the order of their names but the flow didn't feel right and Love The One You're With is an obvious album opener.

For the cover, I simplified the original.

Sources

David Crosby - If Only I Could Remember My Name
Stephen Stills - Stephen Stills
Graham Nash - Songs For Beginers
Neil Young - After The Gold Rush
CSN&Y - 4 Way Street