I thought I was done with The Dead but I discovered this album hiding in plain sight. The Grateful Dead released their major label debut in 1967 but that was not the beginning of their recording career.
The 2001 box set The Golden Road (1965–1973) contained two bonus discs titled The Birth Of The Dead that was later released separately as a two disc set. One disc contained studio tracks and the other contained live tracks Both from 1965-66 before they recorded their Warner Brothers label debut.
Between those two discs and a couple stray tracks from other sources, I was able to put together what could have been the first Grateful Dead album, released on Scorpio Records who released their first single before signing to WB.
Side One
01 Alice D Millionaire 5
02 Mindbender (Confusion's Prince) 1
03 I Know You Rider 1
04 Early Morning Rain 1
05 Can't Come Down 1
06 Pain in My Heart 4
Side Two
01 You See a Broken Heart 3
02 On The Road Again 4
03 Tastebud 2
04 The Only Time Is Now 1
05 You Don't Have to Ask 2
06 Standing On the Corner 4
Single
A. Don't Ease Me In 2
B. Stealin' 2
Reality Notes
I love archival releases but they seldom lend themselves to repeated listens due to their focus on preserving every meaningful scrap they can find. The Birth Of The Dead is no exception. While disc two can see some regular listens, disc one suffers from the unfortunate side effect of the archival process. What we have on that disc includes multiple versions of many of the songs including instrumental versions. While that's great for research and gaining new insights into your favorite bands, with each listen the skip button is pressed more often.
But sometimes, after a few listens, a group of songs coalesce into an entity of its own. And it is that scenario that is one of the many reasons for what we do here. This is an effort to rescue songs that deserve to sit within the official cannon that otherwise would be buried and possibly forgotten among some less polished gems.
The bulk of these recordings come from two sets of studio sessions. The first was in late '65 for Autumn Records and the second in late spring of '66 for Scorpio Records. Two songs from the Scorpio sessions, Don't Ease Me In and Stealin', were released locally as a single which I have included as bonus tracks. The rest of the album is filled out with live tracks (it wouldn't be the last time). Many of these songs continued to be setlist regulars for the remainder of the band's career.
The one anomaly (there's always one, isn't there) is the opening track, Alice D Millionaire. This recording comes from the sessions that gave us the Warner Brothers debut although notes say it was played live in '66 which makes it fair game to use. I added it for a few reasons. Mostly because it is an original song and fit in stylistically and I didn't want it to get lost in bonus track limbo.
I struggled with a title for the album before giving up and leaving it untitled. They later named two other albums the same name, one was their WB debut and the other was a live album that is more commonly referred to as Skull and Roses so why not add to the confusion? Maybe the fans would have given it a nickname to set it apart. Think of it as a false start. The cover uses elements from a tour poster, an old promo pic and some clipart roses.
1 Autumn Records sessions November 3, 1965 at Golden Gate Recorders in San Francisco
note: tape box lists artist as: The Emergency Crew; a short-lived name the band used immediately prior to "Grateful Dead"
2 Scorpio Records sessions June 1966 at Buena Vista Studio in San Francisco, and Western Recording in San Francisco
note: Don't Ease Me In and Stealin', were previously issued locally (in limited quantity), in July 1966, as the Grateful Dead's first single (Scorpio Records #201), with Don't Ease Me In on the A-side. Included here is the "dry mix" - the single was mastered with added reverb. I Know You Rider was also recorded during these sessions.
3 Studio recording, early 1966 (from Rare Cuts and Oddities 1966)
4 Live tracks recorded in 1966 at the Fillmore Auditorium in San Francisco, On The Road Again is from Los Angeles, California
5 Outtake from the WB Grateful Dead sessions 1967. A version of Tastebud was also recorded during these sessions.
